Vano

Statement

My work comes from the idea that art should talk about life. It takes a lifetime to know it all and it’s not necessarily enough. Life is simple whereas living is complex. Everything can be seen antithetically. In this dialectic I put my works as an element of synthesis: representing simply but with a complex technique what surrounds me, I explore my personal reality (as the only one I can experience) as a means to reflect on society and human condition. In an age of profound banality, in which we constantly expose every (true or fake) moment of our lives, what we do or what we have, I turned paper into my own social network.

What I generally want to assert or tell, however, is something that is not obvious or even not present but nevertheless concrete and sensible. My works rest on two levels of interpretation (representation and meaning) often distant from each other. I am as much a realist as I am a surrealist, I am as much a “Flemish” as I am uninterested in reality. I like to reproduce it as a pretext, not for what it is, but for the meaning (surreal, allusive, formal, allegorical, symbolic, other) that I can attribute to it. The leitmotif of this shift is often an ironic play on words, quotes, resemblances or forms. The title, making explicit (or alluding to) the meaning, is an integral part of the work, almost the work itself more than the tangible product.

With a view to the stratification of meanings, I chose the name Vano, the final “particle” of my surname, for its meanings in my native language. Vano means worthless, like my subjects, which often appear frivolous, banal and useless. At the same time, they are vain in the sense of being disembodied. The representation of an object is not the object itself (Ceci n’est pas une pipe.): the realist technique conceals the immateriality of the subjects, restoring their illusion. However, the term vano also refers to an empty environment or space to be used, to be filled with whatever is useful or pleasing to us.

My vain works become containers to be filled with meanings, concepts, reflections.

Bio

Claudio Silvano (Rome, 1981) developed an interest in artistic and creative expression in many forms from an early age: drawing, origami, music and, later, photography and photo manipulation. He graduated in painting from the Academy of Fine Arts in 2008 and participated in group exhibitions until 2013, being also selected in national and international prizes. After years of forced hiatus he resumed his artistic activity in 2019.

Exhibitions

Group exhibitions

2026

Derwent Art Prize, The OXO Gallery, London

2013

Premio Opera 2013 / Lavoro in corso: tra utopia e realtà, Cloisters of the Casa Oriani Library, Ravenna

2012

Il segno delle orme, le strade dell’arte nella memoria del futuro, curated by Pierluigi Berto, Dario Evola and Bianca Lami, Casa della Memoria e della Storia, Rome

2011

Pensieri in arte, curated by Massimiliano Coccia and Martina Donati, Galleria Pio Monti, Rome

Arte in Arti e Mestieri 2011, curated by Mauro Carrera and Azeglio Bertoni, Scuola di arti e mestieri F. Bertazzoni, Suzzara (MN)

2010

Arte in via Lambro, curated by Leandro Etna, Associazione culturale Galleria Etna, Roma

Arte in Arti e Mestieri 2010, curated by Mauro Carrera and Azeglio Bertoni, Scuola di arti e mestieri F. Bertazzoni, Suzzara (MN)

Festival delle arti, Officine Minganti exhibition space, Bologna

Concorso BLUorG Under 35 Arti Visive 2009-2010, curated by Giuseppe Bellini
BLUorG gallery, Bari

2007

De pictura ricerca di un linguaggio, curated by Giuseppe Modica, Academy of Fine Arts, Rome

Nuove proposte, curated by Francesco Carvelli, Italarte gallery, Rome

2nd International Arte Laguna Prize, curated by Igor Zanti City museums – monastery of Santa Caterina / Palazzo Scotti , Treviso

2006

Giovani Esordi, Accademie di Belle Arti, Rocca Farnese, Valentano (VT)

Giovani Esordi, Accademie di Belle Arti, Castello Baglioni, Graffignano (VT)

De Pictura, curated by Giuseppe Modica, Vertecchi per l’arte series, Vertecchi’s showroom, Rome

2005

3rd extempore, Sala Orsini at Palazzo Chigi, Formello (RM)

Xilografie, curated by Gianluca Murasecchi, Centro per l’Incisione e la Grafica d’Arte, Formello (RM)

2002

2nd sacred art exhibition in honour of Msgr. F. Balani, San Giuseppe Artigiano church, Rome

Prizes

2nd International Arte Laguna Prize (honourable mention)

BLUorG Under 35 Arti Visive 2009-2010 (selected)

Arte in Arti e Mestieri 2010 (selected)

Arte in Arti e Mestieri 2011 (selected)

Premio Opera 2013 (selected)

Derwent Art Prize 2026 (selected)

Education

2001-2008 Academy of Fine Arts, Rome
2001 Figure drawing course, “Il ponte” art studio, Rome